Action in Atlantic City! Pieces of Hate! Mission in Monaco! Letters John Costanza? The Hammer Strikes! Alone Against the Super-Army! Reprints from Iron Man Marvel, series October I have set up the Secret Empire Reading Order Checklist in a way that gives you a general guide on how it can be read if you want to read everything, but at the same time it is set up so you can read it in different ways.
Marvel sets up events like this in a way you can get a full story from the main series and the tie-ins are are parallel stories. Some of these will closer to the main story than others. Some spin-out in their own direction based on something that happens in the main story while others will show what happens to characters off-panel. Art by various. If you want more information on what is going on with the Hydra Captain America then this is the series to read. This series is the one that builds up to Secret Empire the most.
While it might connect with Civil War II , this epilogue gives some of the first signs for what is to come with Secret Empire. Art by Jerome Opena. Find out more about Avengers Standoff! Art by Stuart Immonen. Deadpool 31 tie-in Written by Gerry Duggan. Art by Matteo Lolli.
Art by Paco Medina. Secret Empire 0 of 10 Written by Nick Spencer. Art by Ramon Rosanas. Avengers 6 tie-in Written by Al Ewing. Art by Andrea Sorrentino.
Secret Empire 1 of 10 Written by Nick Spencer. Art by Steve McNiven. Champions 10 tie-in Written by Mark Waid. Art by Humberto Ramos. Secret Warriors 1 tie-in Written by Matt Rosenberg. Secret Empire 2 of 10 Written by Nick Spencer. Art by Andrea Sorrentino and Rod Reis. Champions 11 tie-in Written by Mark Waid. Ultimates 2 7 tie-in Written by Al Ewing. Art by Travel Foreman. Art by Andres Guinaldo. Secret Warriors 2 tie-in Written by Matt Rosenberg. Secret Empire 3 of 10 Written by Nick Spencer.
Art by J. Art by Sean Izaakse. Doctor Strange 21 tie-in Written by Dennis Hopeless. Art by Niko Henrichon. Art by Joe Bennett. Secret Empire 4 of 10 Written by Nick Spencer. Art by Ario Anindito. Secret Warriors 3 tie-in Written by Matt Rosenberg. Uncanny Avengers 24 tie-in Written by Jim Zub. Art by Kim Jacinto. Deadpool 32 tie-in Written by Gerry Duggan. Art by Eric Koda. Art by Javier Pina. Avengers 7 tie-in Written by Al Ewing.
Art by Christian Ward. Doctor Strange 22 tie-in Written by Dennis Hopeless. Secret Empire 5 of 10 Written by Nick Spencer. Art by Michelle Bandini. The narration is still very cheesy. Overall, this event was okay, neither the outrage a lot of people made it out to be nor this fantastic story about our current political climate.
The best aspect of issue 10 is that it is the true reset for Marvel. It sets the tone for a different age of heroes being heroes in the Marvel Universe. This issue is a bit rushed but Spencer has delivered on what was needed. Had Civil War 2 not have happened or been forced into the limelight this event would have less polarization. We also have solid art throughout this book and a return to the epic scale that these events should be. I don't want Marvel to lose the diversity in its titles but I do want a return to focus for story telling.
Spencer has proven that a villain can still be complex, interesting, and motivated and that spirit needs to continue in Legacy. Maybe just maybe people will get off the let's bash Marvel train and actuall y read the stories and then make judgments. The biggest flaw in the writing for this event has been Black Widow. If you kill off a character then the death must be worth the sacrifice.
Widow's death and footnote funeral panel is a disservice to the character. Spencer and Marvel were not wrong to kill her off and I am sure she will have a return soon but don't reduce a character to just a narrative device.
Spencer really doesn't seem to have a relationship with Black Widow considering how much he used her for the event. Aside from the issues with Widow and fatigue, this has been one of my favorite Marvel events.
Much like Ultimates issue set up a strong place to build for the future Spencer has done the same. The Question now is will Marvel follow through? Can Marvel get back to basics and better create a story?
Can they support and increase excitement for writers to create? Have they cut enough books to really refocus on what is important? Can they bring the best of the legacy heroes and the classic heroes together in a more complex and cohesive world?
We will see more. A disappointing and generic ending to Marvels latest event series. It's not that it was bad, but it was a long ride for really nothing.
A really good ending but could have used a little more explanation, wrapped up almost too neatly. The overall story was an interesting take on the fall of democracy however the final issue did not take the risks it needed to define itself as one of Marvel's classic timeless stories.
I'm a little torn on this. After a build-up that seemed at times to take forever, the ending seems rushed. So many questions are left unanswered.
Kobik reinstating a better reality seems like an unimaginative way to conclude. But good Steve picked up Thor's hammer and knocked the shit out of evil Steve, yo! This issue is receiving a lot of condemnation and vitriol, and, yes, I am a sucker, but I generally liked it. It was a wildly inconsistent event, but Spencer and Steve McNiven did a great job here in delivering an utterly predictable but cheer-worthy ending.
I know that, all things considered, I probably shouldn't like this, but what the fuck; I liked it! Kobik's Emergency Backup Good Steve saves the day. The finale of the event doesn't feature a lot of twists, making the end, satisfying though it is, something of a foregone conclusion. A few allusions to classic moments particularly Cap facing down Thanos help give this episode a little chunk of the grandeur it needs.
In the end, though, it's a bit of an underwhelming, by-the-numbers exercise, the inevitable drive back to the status quo that we were all hoping this event could do better than.
What a stupid end to such a cool story. So there's two Steve Rogers now? A memory of a man manifested into flesh and bone? The silly Inhumans ending. The big reset button so none of it matters Just plain bad. Great art can't save this basic ass ending. Hands down the worst modern Marvel crossover of all time, right up there with Civil War 2. A lazy and predictable ending mixed with cheesy pretentious narration makes this arguably the weakest issue of the event. Terrible and a third is epilogue.
Boring epilogue. Prev Series Next. Andrew J. Friedenthal has crafted a groundbreaking, engaging, and thoughtful examination of how this particular story world combines intricate world-building with responsiveness to real world events, which will be of interest to scholars and enthusiasts of not just comics studies, but also the fields of transmedia studies and imaginary worlds.
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The original android Human Torch blazed his way into readers' hearts, and Namor the Sub-Mariner made a big splash! Golden Age pulp star Ka-Zar swung into comics, and costumed detective the Angel made his debut! Plus: Western adventures with the Masked Raider - and terror in the jungle! The s saw Stan Lee's retreat to the West Coast, Jim Shooter's rise and fall as editor-in-chief, the twin triumphs of Frank Miller and John Byrne, the challenge of independent publishers, and the weakening hold of the Comics Code Authority that led to the company's creative downfall—and ultimately the marginalization of the industry itself.
However, the s represented years of upheaval in the comics industry—with Marvel at the center of the storm—so expect a bumpy ride in the s decade that marked the beginning of the end of Marvel Comics as you knew them! Skip to content. Marvel Comics. Marvel Comics Book Review:. The Marvel Book. The Marvel Book Book Review:. Marvel Encyclopedia New Edition. Marvel Book Review:. All of the Marvels. All of the Marvels Book Review:. Marvel Comics The Variant Covers.
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